There are 2 for 1 deals everywhere right now - Walkabout for burgers, Domino's for pizzas, Orange for cinema tickets, Millie's for cookies and Wetherspoon Lodges for post-pub accommodation in Glenrothes.
But what you really want is two for the price of one with your indie heroes... and we've got just the thing with five of the most magical all-Scottish collaborations to be found in recorded music history.
There's Monica Queen's legendary cameo with Belle & Seb, poet Edwin Morgan's poignant spoken-word finale to Idlewild's The Remote Part album, Eddi Reader's subtle backing on a Roddy Hart epic, Paolo Nutini's guest appearance on The View's new album and KT Tunstall's harmonious contribution to the best Travis track on The Boy With No Name.
But which is the best? Listen to all five then cast your vote in The Pop Cop's first-ever reader poll below.
4 Belle & Sebastian feat Monica Queen - Lazy Line Painter Jane
4 Idlewild feat Edwin Morgan - In Remote Part/Scottish Fiction
4 Roddy Hart feat Eddi Reader - My Greatest Success
4 The View feat Paolo Nutini - Covers
4 Travis feat KT Tunstall - Under The Moonlight
Which is your favourite Scottish collaboration?
EDDI READER
b January 19, Royal Concert Hall, Glasgow (tickets)
b January 24, Royal Concert Hall, Glasgow (tickets)
b January 30, Royal Concert Hall, Glasgow (tickets)
b February 1, Royal Concert Hall, Glasgow (tickets)
THE VIEW
b February 12, Picture House, Edinburgh (sold out)
b February 13, Caird Hall, Dundee (sold out)
b February 15, Ironworks, Inverness (tickets)
b February 16, Music Hall, Aberdeen (sold out)




4 comments:
Edwin Morgan's voice on that Idlewild track makes my heart skip a beat every time. I guess you know which collaboration gets my vote ;)
Paul Quinn & Edwyn Collins cover of Pale Blue Eyes gets my vote.
It's a new one, and maybe no longer simply a collaboration as they are now a band, but I caught The Burns Unit at the ABC last week.
Line up thusly; Emma Pollock, Future Pilot AKA, MC Soom T, Karine Polwart, Kim Edgar, King Creosote, Mattie Foulds and Michael Johnston.
Nobody were expecting them to sound like they do, very dramatic and impossible to pin to one genre, fantastic!
I second the Paul Quinn & Edwyn Collins collaboration on "Pale Blue Eyes".
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